Looking at the photos, it’s obvious that the smaller Synchron Stage B space will create a more intimate, dryer studio‑style ambience, in contrast to the big reverberant sound of Stage A. The string players are all members of the Synchron Stage Orchestra, a hand‑picked ensemble drawn from the top Viennese orchestras. The musicians played to a click with a video link to the conductor and their colleagues in the adjoining room, acoustically isolated yet perfectly synchronised. In musical terms, this equates to a simultaneous recording of a symphonic string section playing in the huge Synchron Stage A and a smaller chamber ensemble positioned in the smaller, dryer‑sounding Stage B (see box below for section sizes). So what we did was sample two string orchestras in two stages at the same time.” Doing film scoring for seven years now, our musicians are trained to perform with headphones to deliver perfect results. We have two stages, our famous big hall and the smaller dry hall. Thinking about the options at the Vienna Synchron Stage, I realised that it is possible. Rather than addressing the problem with different mic mixes or layering separate performances, Tucmandl proposed a radical solution: “For a perfect result you would need a performance of all musicians in a wet and a dry environment together at the same time. In a perfect world you would have moved the whole section closer, which is not possible in a convenient way.” When doing this you get the section leader more prominently in your mix, more or less a zoom in on an individual player in the section. To achieve this, you have to use close mics as you would in real world orchestral recordings. hall‑recorded) libraries, sometimes you want to have a closer, more direct sound. Tucmandl explains the concept: “When working with ambient (ie. I hasten to add no ocular disturbance or medical emergency was involved, and as far as we know the Vienna supremo wasn’t suffering from a hangover - this was more a case of a blinding flash of inspiration which marked the genesis of a unique double‑whammy project. The most recent instalment in an unbroken line of sample products stretching back to 2000, Synchron Duality Strings began life when VSL founder Herb Tucmandl woke up one morning with double vision. The latest Vienna string orchestra offers a unique dual perspective.
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